I practice groove every day, and over the years I’ve built a compact routine that consistently locks my neo‑soul pocket across tempos. This 15‑minute sequence focuses on feel, subdivision control and musical choices you can apply to real songs. It’s designed to be repeated daily — short...
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Technique
I love vintage snares for the character they bring—those slightly woody...
Technique
I’ve been running hybrid kits for years — acoustic shells fitted with mesh...
Technique
Getting a sampled kick and an acoustic kick to sit together in a mix so they...
Technique
I love the sound of a vintage snare: that warm woody body, the subtle overtones...
I’ve spent a lot of late nights trying to get a “roomy jazz kit” from less-than-ideal spaces — bedroom studios, rehearsal rooms with thin walls, or tiny live rooms in a rented house. Over the years I’ve landed on a few practical mic-pair...
I want to talk about the pocket — that sweet place where time feels effortless, the band breathes together and your groove becomes undeniable. Over the years I’ve found that a focused, short routine using paradiddles can sharpen both timing and...
Vintage Ludwig snares have a warmth, character and snap that modern snares sometimes lack — but when you drop one into a contemporary pop mix it can either sit beautifully or become lost or, worse, sound harsh when pushed. Over the years in the...
I often find myself trying to get the best of both worlds: the natural thump and resonance of an acoustic kick, plus the consistent attack, texture or punch of a sampled sound I’ve crafted on the Roland SP-404. Over the years I’ve developed a...
I want to talk about the small hi-hat choices I reach for in sessions when the goal is to add groove and color without crowding the mix. Those tiny articulations — a slightly tipped tip, a half-open “sizzle,” a controlled foot chick, or a...
Getting a roomy, 1970s-style drum sound from a small home studio is entirely possible — it just takes deliberate mic choices, placement, and a little imagination. I’ve spent years chasing that warm, natural, slightly distant drum vibe you hear...
I travel a lot for teaching, gigs and studio work, and over the years I’ve tuned my practice routine to be as portable and productive as possible. Building a compact setup that focuses on timing, tone and creativity isn’t about owning the...
I remember the first time a student asked me, "How do I get hands and feet to do different things?" That question is at the heart of drum independence, and it's one of the most common blockers for beginners. Over the years I’ve boiled down my...
When I'm combining electronic drums with live kit recordings I want them to feel like they're part of the same sonic world — not two competing rhythm sections. Over the years I've developed a go-to plug-in chain that helps electronic samples sit...
When I sit down to build a modern pop groove I’m thinking about two things above all: the pocket that makes people nod their heads, and the small rhythmic details that give the groove personality. Combining subtle ghost notes on the snare with a...