When I mix electronic tracks, one of my favourite little rituals is making the kick drum punch through a dense arrangement without sacrificing low-end power or the breath of the synths. The quickest, most musical way I’ve found to do this consistently is a combination of parallel distortion to...
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Technique
I get a lot of messages from drummers who use the Roland SPD‑SX live and...
Gear Reviews
I never expected footwear to become a topic I’d write about for a drumming...
Technique
I love playing hybrid kits live — the punch and dynamics of a real snare with...
Recording
I keep coming back to one simple idea when I want a fat, modern kick from an...
I love playing hybrid kits live — the punch and dynamics of a real snare with the flexibility of samples can turn a song from good to unforgettable. Getting a Roland SPD-SX to feel *natural* under your acoustic snare is one of those things that...
I keep coming back to one simple idea when I want a fat, modern kick from an old Ludwig kit: blend sources, fix phase, and treat each mic with a purpose. Vintage drums have beautiful character, but to translate that into a modern record you need...
I built this nine-step metronome routine after years of teaching students who could click with a metronome in isolation but then fall apart the moment a bass player or guitarist entered the room. The goal here is simple: develop a metronome practice...
I’ve always loved the way neo-soul tracks feel like a conversation—intimate, warm and slightly behind the beat. One of the biggest keys to that vibe is the ghost-note pattern on the snare and rim: it sits under the vocals, fills the spaces, and...
I hate it when a kick that felt massive in the tracking room turns into a polite tap once it hits the mix. Over the years I’ve developed a compact, repeatable chain that gets the kick to cut through without sounding over-processed or fake. Below...
I love restoring and adapting vintage drums — there’s something magical about the tone of an old Gretsch snare that a modern kit sometimes can’t match. But when you bring one of those woody, open snares into a contemporary pop session, it...
I’ve spent a lot of late nights trying to get a “roomy jazz kit” from less-than-ideal spaces — bedroom studios, rehearsal rooms with thin walls, or tiny live rooms in a rented house. Over the years I’ve landed on a few practical mic-pair...
I want to talk about the pocket — that sweet place where time feels effortless, the band breathes together and your groove becomes undeniable. Over the years I’ve found that a focused, short routine using paradiddles can sharpen both timing and...
Vintage Ludwig snares have a warmth, character and snap that modern snares sometimes lack — but when you drop one into a contemporary pop mix it can either sit beautifully or become lost or, worse, sound harsh when pushed. Over the years in the...
I often find myself trying to get the best of both worlds: the natural thump and resonance of an acoustic kick, plus the consistent attack, texture or punch of a sampled sound I’ve crafted on the Roland SP-404. Over the years I’ve developed a...